A life sacrificed to fiction
I've been succumbing to a subtle but powerful force, the movies, and I'm torn over whether to resist or give in.
Every time my boyfriend and I want to go out but we don't know where, I say, why not a movie? We ended up at the movies weekly, then twice a week. I almost always have at least three DVDs from Blockbuster sitting by the TV, which I watch in free moments. I went from the normal person who'd seen a couple of the latest titles to a veritable newspaper listing of current attractions, and my friends started making comments. Finally it got so serious that we decided to alternate who chooses what we do when we go out, but Blockbuster continued to empty our bank accounts. Since there is no immanent solution to my addiction, I thought I'd tap into the reservoir of images and impressions that I've been building up. One that I really liked recently is The Good Shepherd with Matt Damon and Angelina Jolie. You can check it out at http://www.thegoodshepherdmovie.com, and read on for what I thought about it.
You really have to be on your toes for The Good Shepherd, but if you like history, it's worth it. It takes place between World War II and the Cuban Missile Crisis, following a young man, Edward Wilson (Damon), as he gets recruited as a spy and proceeds to give up the personal pleasures of his life in favor of his career and what is expected of him. It switches back and forth between the forties, fifties and sixties, and honestly if there is one problem with the movie I think that they take you back in time to explain a certain issue but don't always make it clear that they've made the switch. Many scenes are labeled with dates, but there are a lot that aren't.
Matt Damon plays an excellent Ivy Leaguer who always strives to make the right decisions but who seems to lose himself as he follows what others, society, asks of him. The movie isn't all about Wilson regretting that or even thinking about it, but by the end you realize he's sacrificed his life as an individual. He begins as a poetry-loving youth who falls in love with a deaf girl, but he makes decisions consciously, coldly, and accepts the results, as painful as they may be.
As a college kid at Yale he becomes a member of the Skull and Bones secret society, and you get an idea of how the old boys network starts out at a young age and lasts through life. It's great for them, but what about everybody else? It was interesting trying to explain to a Mexican person that much of American power is concentrated in these famous, moneyed universities, and when you're in, you're in. And while much wasn't explained explicitly about Wilson's father, it looks like both the intelligence community and the societies of power have a big dose of legacy. We know that about the schools, but I wonder if intelligence really works that way. It seems like without asking the fathers, they recruit the sons, who think they're dong it on their own. But if your dad is in the CIA, it seems like at some point you're going to figure out that something's up, so maybe it makes sense to keep it in the family.
I found this movie absolutely fascinating. The frustration of the time changes works itself out if you look closely at Alec Baldwin's makeup, not ideal but for me it helped. (He gets chubbier as time goes by. They even made Angelina look old). I really liked how they showed the formation of the CIA as coming out of the second world war, well right after it sequentially anyway, in the 1950's when Russia starts becoming an issue. You get a closeup of this vital 20 years in U.S. history when the country fights Germany in a real war, then starts building up its nukes in an imaginary one. While it's a side character who brings it up, the movie also deals with the ethics of torture and the idea of the military-industrial complex.
But it's also about the sacrifices we make to form our life story, our dedication to work versus family, the way earlier choices form our later lives and affect the ones we choose to be with. Wilson is formed by the social values of his time period in addition to his own character and values, but we see his son break out of that, like a bell tolling for a more open society to come.

