The End of the Affair
Ending something hot and steamy is never quite as easy as slamming the door in the face of an ugly stalker. But what if the former becomes the latter?
For a case in point, go to Graham Greene's 1951 classic, The end of the Affair. You'll understand why Julianne Moore and Ralph Fiennes were psyched to play this lurid drama on the big screen, and you might even identify with parts of it if you have ever been through a terrible breakup.
Maurice Bendrix is obsessed with Sara Miles, who is the wife of Henry Miles, a civil servant. Maurice and Sarah have a history together - they enjoyed a long affair, including having sex in the married couple's house when Henry was there and actually walked right by the door. So they got pretty obvious at times and of course the loser husband ended up finding out.
Sarah loved Maurice, but left him after they were in a bomb attack during the London Blitz of WWII and she prayed to God to save him in exchange for her ending their sinful relationship. Maurice didn't realize this until he got a private detective to follow her and steal her diary. The private detective part came after Henry suspected her of cheating and Maurice graciously volunteered to get involved because he was jealous she'd taken up with someone else.
Poor Henry. It's hard to get why he was such a tool. He just sat at home and did nothing, no romance, no action, nothing. Poor Sarah, you can't really blame her. She needed a psycho who would track her down with a PI only to find that she had always loved him. Are all our lives so tragic and pathetic, searching for love but never finding the right circumstances? Or are we just attracted to the exotic and the impossible? I'm beginning to think it's a bit of both!